SUMMARY

Write your daily summary last, at the end of the week here…

Only one to two sentences.

CLASSROOM

Image of Gordon Hempton
Image by Richard Darbonne, © All Rights Reserved.

Listen to https://onbeing.org/programs/gordon-hempton-silence-and-the-presence-of-everything/

Safety

Watch 3-minute video preview: https://www.hrmvideo.com/catalog/listen-smart-safely-handling-the-power-of-sound

Add details to the notes below that you found interesting…

  • Goal: listen to music in a way that it will enrich but not harm you
  • 10%-20% of high schoolers have hearing damage
  • Hearing damage can happen in one occasion, doesn’t have to be constant
  • No cure!
  • Temporary Threshold Shift: “hearing hangover”
  • Wearing earplugs doesn’t change the quality of sound but just the volume
  • High-frequency loss is most commons with musicians
  • Distancing yourself from the source and earplugs are the best way to prevent hearing loss
  • Stimulants while listening to music can increase the risk of hearing damage
  • Resting your ears is important, space out concerts
  • 70 dB, no risk
  • 85 dB, risk after 8 hours
  • 91dB, 2 hours without damage
  • 100 dB, 15 minutes without damage
  • 115 dB, 1 minute without damage
  • 140 dB, immediate damage and pain
  • Symptoms of damage, tinnitus, muffled hearing, and other mental and physical problems like irritability, depression, high blood pressure, and fatigue
  • damage is done when the cochlea hair cells in the inner ear are damaged, they do not grow back. These are what interpret vibrations and turn them into what we hear

Advice

LAB

Write learning reflection here…

Write learning reflection here… and explore some songs at https://www.hooktheory.com/theorytab

PRACTICE ROOM

Set a STRETCH goal here…

  • Pick a song you would like to learn on the guitar that you can also find an online video tutorial to help you.  If you are a beginner, a simple song is better. We will review this tomorrow.

Guitar Tabs Explained

Write notes here…

JOURNAL

Write notes here… and experiment with your blog.  Maybe change the theme? Have fun!

STUDIO

Start Soundtrap.com expert training here…

https://academy.soundtrap.com/p/soundtrap-expert

CONTROL ROOM

Finish Soundtrap.com expert training here…

Insert your certificate when you finish by clicking the ADD MEDIA button above, uploading a picture of your certificate, and placing it where Mr. Le Duc’s image is below. (Remove Mr. Le Duc’s image)

WHAT I LEARNED and PROBLEMS I SOLVED

Tell your daily story here!  Highlight what you learned and enjoyed most.  Also, share what you needed to do to complete the day’s work. Problem-solving is one of the most important skills you need in life. Employers want to know HOW you get stuff done as much as what you got done.

WEEKLY ACTIVITY EVALUATION


Write your notes here…
 

SummarySummarize what you learned from the video here..

Melody Composition Terms and Definitions

  • Theme: A long, flowing melodic idea.
  • Motive: A short, rhythmic idea (Beethoven’s 5th).
  • Period: 8-12 measures or a musical sentence.
  • Phrase: Usually 4 measures.
  • Antecedent (Question) Phrase: First 4 measures of a period.
  • Consequent (Answer) Phrase: Second 4 measures of a period.
  • Scale Degrees (C Major Scale)
    • Tonic: C (1 , 8) – Stability and resolve.
    • Supertonic, Mediant, Submediant: D, E, A (2 , 3 , 6) – Moderate tension, useful for transitions and carrying on an idea.
    • Subdominant, Dominant, Leading Tone: F, G, B (4 , 5 , 7) – Causes the most tension, leads to the tonic.
  • Steps: Any movement using half or whole steps.
  • Leaps: Any movement using intervals larger than a whole step.
  • Conjunct motion: Melody is built primarily out of steps.
  • Disjunct motion: Melody is built primarily out of leaps.
  • Repetition: Repeated material (i.e. motive) used to create a link between two phrases of the period.
  • Contrast: Two phrases that contain contrasting material to create tension and interest.
  • Variation: Halfway between contrast and repetition. The two phrases include some recognizable material and some varied material (i.e. taking ideas up an octave).

One of My Favorite Melodies

  • Find one of your favorite melodies at Hook Theory Tab Index of Songs
  • Embed a clean version of this song from YouTube
  • In writing, describe why you like this melody, and identify the musical key, tonic note, and tension notes
  • What do you notice about the note structure/pattern of the theme of the melody?
  • DELETE ALL OF MR. LE DUC’s INSTRUCTIONS AFTER COMPLETING THEM

My Second HookTheory Melody

  • Place a screenshot of the melody notes on HookTheory
  • Link to a .mp3 file of your second melody from HookTheory
  • Write a brief reflection about this melody. What do you like about it?
    • Where did you raise tension or suspense in the melody?
    • Where did you resolve tension in the melody?
  • DELETE ALL OF MR. LE DUC’s INSTRUCTIONS AFTER COMPLETING THEM

What I Learned & Problems I Solved

  • Write what you LEARNED from the research, analysis, and melody creation The things that l learned from melody creation is that there is more than just one word for melody and there is different types of melody other than just one.
  • Explain how you SOLVED AT LEAST ONE PROBLEM
  • How i solved one of my problems is that my headphones stoped working so i looked at the red box to see what happened and it turns out that when i put my mac for sleep mode it turned off my headphones that were connected to the computer. so unplugged from the computer and reconnected it to the computer.

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